They do not accept received opinions and doctrines, feeling a strong need to test the truth of most assumptions for themselves. They are always searching, asking questions, and delving into things in depth. They want to understand how the world works, whether it is the cosmos, the microscopic world, the animal, vegetable, or mineral kingdoms-or the inner world of their imaginations. We have named personality type Five The Investigator because, more than any other type, Fives want to find out why things are the way they are. Almaas, Eckhart Tolle, Meredith Monk, Glenn Gould, John Cage, Kurt Cobain, David Byrne, Peter Gabriel, Laurie Anderson, Jane Siberry, Trent Reznor, Thom Yorke (Radiohead), Alfred Hitchcock, Marlene Dietrich, Stanley Kubrick, David Cronenberg, Werner Herzog, Tim Burton, David Lynch, David Fincher, Jodie Foster, “The Far Side” Gary Larson, Annie Liebovitz, Bobby Fischer, “Wikileaks” Julian Assange, Aaron Swartz, X Files’ “Fox Mulder,” Dr. LeGuin, Clive Barker, Bill Gates, Mark Zuckerberg, Jane Goodall, A.H. Learn more about the arrows.Įxamples: Siddhartha Gautama Buddha, Albert Einstein, Oliver Sacks, John Nash (A Beautiful Mind), Stephen Hawking, Vincent van Gogh, Edvard Munch, Georgia O’Keeffe, Salvador Dali, Alberto Giacometti, Emily Dickinson, Friedrich Nietzsche, Agatha Christie, James Joyce, Jean-Paul Sartre, Susan Sontag, Stephen King, Ursula K. However, when moving in their Direction of Integration (growth), avaricious, detached Fives become more self-confident and decisive, like healthy Eights. When moving in their Direction of Disintegration (stress), detached Fives suddenly become hyperactive and scattered at Seven. Key Motivations: Want to possess knowledge, to understand the environment, to have everything figured out as a way of defending the self from threats from the environment. At their Best: visionary pioneers, often ahead of their time, and able to see the world in an entirely new way.īasic Fear: Being useless, helpless, or incapableīasic Desire: To be capable and competentĮnneagram Five with a Four-Wing: "The Iconoclast"Įnneagram Five with a Six-Wing: "The Problem Solver" They typically have problems with eccentricity, nihilism, and isolation. They become detached, yet high-strung and intense. Independent, innovative, and inventive, they can also become preoccupied with their thoughts and imaginary constructs. They are able to concentrate and focus on developing complex ideas and skills. Fives are alert, insightful, and curious.
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Under Seat Storage System Laser measured and custom-fit to the exact make and model.Ĭhild Car Seat Protector Protect your vehicle’s upholstery from sticky messes, deep indentations and upholstery tears caused by your child’s car seat SunShade Windshield and Side Window Sun Shade Seat Protector Seat Cover for your VehicleĪll-Weather Floor Mats Flexible Floor Mats for your Vehicle If you believe a product sold by Ford has a condition or defect that might make it unsafe, please report this safety concern immediately by using the chat feature on the Site or by calling 1-84. Not For Use with Raptor, F-150 Tremor or F-150 Black Pack models that use Tremor Hood Not For Use with Raptor, F-150 Tremor or F-150 Black Pack models that use Tremor Hood.Made of virtually unbreakable GE Lexan polycarbonate.It’s designed to deflect road debris, stones and bugs while enhancing the distinctive look of your ride. Protect the leading edge of your vehicle with this Hood Deflector. This easy to install hood deflector is made from GE Lexan Polycarbonate for durability. If you opt not to provide a VIN(s), you are solely responsible for making sure the accessories you have ordered are compatible with your vehicle.Īttempting to return any parts or assemblies that have been tampered with in a manner that affects the re-salability and/or safety of the part(s) is prosecutable under the law, and these parts and assemblies are not eligible for return credit, refund and/or exchange. If all of these conditions are not met, it is at discretion of Ford or the dealer (where applicable) to accept the return. Returned items must be in the original box, in new, non-installed, resalable condition, with all instructions and hardware, and in the condition it was received. Electronics, wheels and custom-painted parts cannot be returned at any time for any reason.Īll returns and exchanges must be returned to Ford (for orders shipped directly to you) or the dealer (for orders picked up from the dealer) solely at your expense, except in the case of Ford or dealer error. Once you have initiated a return, you must return the part(s) within 14 calendar days. Ford or the dealer (where applicable) will accept returns or exchanges of applicable Motorcraft, Ford Parts, Omnicraft, Ford Accessories, Lincoln Accessories and Ford Performance Parts within 30 days of your receipt. “It was never really part of the planning process that people would eventually not be able to or not want to participate in physical runway shows due to the situation,” explains Julius. Back in July 2019, the label presented its Spring/Summer 2020 collection as what Julius describes as a “digital customizable experience.” Their FW20 presentation - which took place in the midst of the COVID-19 crisis but had been fully conceptualized way beforehand - was par for the course. I think it’s inspiring and it gives me energy and an idea of how my brand can be presented not only in 2D but also through multimedia.”ĭanish brand HELIOT EMIL, co-founded by brothers Julius and Victor Juul, are veterans to the digital runway experience. “I always love to try new technology no matter if it’s VR or CG, or different kinds of digital platforms. This was all achieved through green screen and computer renderings. And from that starting point, it fit the whole Akira concept well.” With only one month left until Shanghai Fashion Week - where Chen ended up showing - she assembled her director and CG team to turn her virtual idea into a virtual reality.Ĭhen’s vision was nothing short of epic, featuring models strutting through a completely CG background - in a modern-day gladiator arena, an apocalyptic cityscape and a desertscape. “I was thinking, then, I could bring the concept into a virtual show. The idea of a virtual show happened almost by happenstance: Chen had just finished creating a CG poster for the Milan show before it was canceled. “The process and production collection took much longer than what was expected and than how the process usually develops,” Chen recalls.Īfter the delays in producing her runway pieces, Chen, who usually shows in Milan, was forced to call off her seasonal runway due to quarantine orders in her native China. “Our show being in the same year, it was a super cool coincidence and idea to go forward with.” The designer recalls that the quarantine orders were so strict she was not permitted to enter her studio: she had to secretly send out fabrics and samples to her home, and had to hand-drape and sew the remainder of her collection at her friend’s studio. “I explored Akira, the animated movie is set in a futuristic 2020,” says Chen, about the inspiration behind the collection. She had only finished sewing around 70 percent of her show pieces when all the factories closed. How does one stage a fashion show in the age of social distancing? And, is this the future of fashion?Ĭhinese designer Angel Chen had conceptualized the entirety of her Fall/Winter 2020 collection before the coronavirus hit. With digital presentations poised to become the next big industry trend, we spoke to some of the most innovative new fashion brands about their experience with this new means of presenting collections. So, with Men’s Fashion Week fast approaching, how does the industry adapt to the current pandemic?įrom Tokyo and Shanghai Fashion Weeks, both held earlier this spring, to the upcoming London Fashion Week Men’s, runway shows across the globe are going virtual in response to the coronavirus outbreak. The fashion cycle already spins at such a frenetic pace that the industry has become pretty good at adapting to novelty - whether it be to the season’s latest trends or some of the aforementioned disruptors. It also brought the fashion industry - from garment production to garment consumption - to a screeching halt. The virus brought along with it international lockdowns, social distancing orders and a global economy in peril. The coronavirus health pandemic has disrupted the fashion industry in a manner that is completely unprecedented in recent history. Prior to that, it had been about five years since a death at Ocean Beach. Surfers and other swimmers have died at Ocean Beach one example occurred in May 2006, with the next-previous death taking place in January 2006. The beach is one of the Bay Area's top surfing spots and - when breaking well - can be world class, especially during large swells in the winter months. The southern portion of the beach by Sloat Boulevard has some of the cleanest water in the state. The rapid rip currents, cold water, and threat of sneaker waves make the ocean dangerous for casual swimmers and even those who simply want to set foot in it, especially those without wetsuits and lifejackets, because swimmers and even waders have been swept away and drowned. The water is cold, due in part to a process known as upwelling, in which frigid water from below the ocean surface rises to replace the surface water that moves away from the beach as a result of the Coriolis effect. The water at Ocean Beach is noteworthy for its strong, dangerous currents and powerful waves, which make it popular among serious surfers. Dry winter days also tend to provide excellent weather at Ocean Beach (especially in drought years). The average temperature for the last 5 years has been 13.2 ☌ (55.8 ☏) Most of the beach-friendly weather occurs in the fall (usually mid to late September) and early in the spring when fog and strong sea breezes are less prevalent. The beach is a part of the Golden Gate National Recreation Area, which is administered by the National Park Service.ĭuring the late spring and summer, San Francisco's characteristic foggy weather frequently envelops the beach. The Great Highway runs alongside the beach, and the Cliff House and the site of the former Sutro Baths sit at the northern end. It is adjacent to Golden Gate Park, the Richmond District, and the Sunset District. Ocean Beach is a beach on the west coast of San Francisco, California, United States, bordering the Pacific Ocean. Aerial view of the Ocean Beach neighborhood at Taraval Street
GenerateOutput ( plotFile ) // Close the plot file. AddDataset ( dataset ) // Open the plot file. for ( x = - 5.0 x <= + 5.0 x += 1.0 ) // Add the dataset to the plot. SetStyle ( Gnuplot2dDataset :: LINES_POINTS ) double x double y // Create the 2-D dataset. AppendExtra ( "set xrange " ) // Instantiate the dataset, set its title, and make the points be // plotted along with connecting lines. SetLegend ( "X Values", "Y Values" ) // Set the range for the x axis. SetTerminal ( "png" ) // Set the labels for each axis. SetTitle ( plotTitle ) // Make the graphics file, which the plot file will create when it // is used with Gnuplot, be a PNG file. Works very nice with the font type I used in here.Std :: string fileNameWithNoExtension = "plot-2d" std :: string graphicsFileName = fileNameWithNoExtension + ".png" std :: string plotFileName = fileNameWithNoExtension + ".plt" std :: string plotTitle = "2-D Plot" std :: string dataTitle = "2-D Data" // Instantiate the plot and set its title. The choice of the right type of font is vital so as gnuplot to display correctly not only the letters someone wants, but also other things as the superscripts in labels. If the font path does not complain with errors, then propably you have chosen it correctly, and it will display the fonts you want.Įvery time someone makes a change and wants to save that change to the "name_of_file.png", someone should retype the (*) command first, then give the changes (for example set another xlabel) and finaly replot. Set output "name_of_file.png" (*) -> see below Set term png enhanced font "/usr/share/fonts/truetype/msttcorefonts/Times_New_Roman.ttf" If you want to have hellenic, or some other fonts in your labels, you have to type the path of the fonts that you want to use: Now, in order to save the above "project" to a png file it suffices to type: Iv)with f(x)=#, where # is a number, we plot a line parallel to the x axis The simplest command line is as follows: gnuplot> splot sin (x)cos (y) As. Iii)with replot we plot a second plot to the same plot (hope this was clear) The basic plot includes a grid, title, subtitle, axis labels, and color. Ii)the lt #, where # is a number, gives the color of the line, I)the linewidth shows "how big" the line will be Replot "file2" u 1:2 w l linewidth 4 lt 1 (the process took place in gutsy gibbon, I think that it will work in most linux boxes) Which allows to choose the fonts we want to use in gnuplot labels and also to extract a plot with multiple sub-plots in a display file. lt 2 lw 3 square root gnuplot> unset label reset label gnuplot> set arrow 0,0 from. This is a how to based on here (in hellenic language): gnuplot>plot 'plot.In order for gnuplot to find the font the environmental variable GDFONTPATH should be able to look where the fonts are installed. Searching further about the error it seems that gnuplot cannot find a font that is needed. GdImageStringFT: Could not find/open font Options are 'nocrop enhanced medium size 640,480 ' I have tried to set both the size for postscirpt files inside gnuplot or via the convert command, yet to no avail. I get the output in png and the label as it should be, yet with the exception that the resolution is not as good as cretaing a png file from gnuplot. Maybe you propose to install something else? 1) Every time I type the plot command inside gnuplot I get a preview of my plot in a new window.Ģ) I have installed many tex packages from synaptic, yet to no avail as far as png files from gnuplot are concerned.
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Like Agway Energy Services, LLC, PULP never expressed concern with the substance of the responses provided by Robison until its Motion, and further filed no motion to compel as to Robison. "PULP’s Motion is unwarranted, and should accordingly be denied. Instead, Robison encourages PULP to withdraw its Motion and join Robison in focusing its attention on the substantive issues under review in this proceeding," Robison said in its filing With its limited resources, Robison does not have the luxury of engaging in petty motion practice, and at this time, is not requesting sanctions, fees and costs against PULP. Indeed, Robison is disappointed that PULP chose to air its concerns with Robison’s previous responses to the ALJs directly instead of to Robison itself. "Robison, a small family owned ESCO, remains committed to engaging in meaningful dialogue with Commission Staff, consumer protection advocates, and industry colleagues on the substantive questions posed by the Commission in its December 2 Order. a filing with the New York PSC responding to a motion for sanctions filed by the Public Utility Law Project due to an alleged failure to abide by a discovery order, Robison Energy LLC called PULP's motion, "petty," and sought denial of the motion, reporting that it acted in good faith with respect to PULP's discovery requests and filed a supplemental response on August 25.ESCO Calls PULP Motion for Sanctions, "Petty," Says Supplemental Discovery Responses ProvidedĬopyright 2010-17 Energ圜 |
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